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We're including this essay and accompanying audio in our Conversations with Old(er) Women section. It's certainly not because of the writer's age: she is 24 years old, at the beginning of her life's journey. But reading the essay, I'm struck by the questions she poses. As an elder, I often ask myself similar ones. I come up with different answers, but the questions resonate.



What would my life amount to? At various turns in our lives, we all struggle with this question. Ruminate over purpose and finality. Study, work, passion, romance, friendship, and family ‒ we pick and choose ‒ move these up and down the priority list as we move through life. We don’t always have choices in these matters, and other times, we have the choice and fumble. Balance is a difficult art. Wanting to balance is harder.


When I am breathing my last, what would I really care about? When I am gone, what would I want to be remembered for? We probably think about life through the paradigm of death, through such questions, because it helps us make a simpler snap judgement about life’s many burdensome questions. Death, a point that concentrates your entire life because there won’t be any left now.


What does it mean to be me? And what should I be doing in the meanwhile? Because in the meanwhile, that is all there is. And in the meanwhile, that is what we wish to fill with purpose. Because meaning makes us feel consequential.


Like everyone, I sometimes think about life through these questions. When I do, I am less sure of what life would and should present to me. I am not sure if I will find lasting love and companionship. I am not sure if I will survive journalism, or if journalism itself will survive! But I am sure of one thing. As sure as anyone can be of anything I think: the only thing I would value in my last moments is to know that my life meant love. Utter, complete, unabashed love.


It is for a bunch of people to say, she knew how to love! That and only that would be a compliment to a life well lived for me. And so in a life so focused on wanting to build love, and breathe love, and show love, I have come to hit a roadblock. I do not know how to unlove.


For the longest time, I did not think I needed to know. Why would I want to unlove anyone? Life’s nature, I would probably move away from some people at some point, and that might mean loving them differently or from afar, but I wouldn’t have to unlove? Romantic relationships failing? I can still love in a larger sense; a love based on the good there was, a love based on memory, but removed from them. But I certainly wouldn’t need to unlove?


I have been proven wrong. My life threw me in the deep end recently, and I didn’t swim very well in unloving waters.


Within a few months, I came to lose love, twice (with the same man), then find unexpected new romance that came all packaged in true romcom fashion, only to lose that too in a short span. Quite an eventful six months. Romance has been my curse, and I have struggled with the art of letting go.


What I am writing about is not a regret of loving someone. I have only been with a few men, and with the few I actually loved. That is not something everyone can say. So I have been lucky I suppose. But knowing when to let go, that has been the trouble.


‘Strangers in their own land’, that’s the title of a book by Arlie Russell Hochschild. Now the book has nothing to do with romance, it is about the American Right. You could think of it as the American Right’s romance with Trump, but not the kind of romance I am talking about here. Or maybe it is? I thought I was going for the right man and ended up more hurt? Well, thinking in retrospect has the benefit of time and wisdom. But anyway, the title of the book is something I have been drawn to.


Stranger in my own land is what I have felt the past six months. I thought I knew how to love well. I did love well, in my opinion. It is the one thing I thought I knew how to do real well. A love for people generally. A love for those I was with. And yet I feel like I have been in a stranger's territory. My previous love, relationship, I felt it quite deeply, extraordinarily. And yet it seemed to me like a borrowed burden.


I kept tugging at it for a while. Why? Why this unease? What is it that I am feeling? Why restlessness in me? Well, turns out my romance had gone sour a lot before I cared to recognise and I stretched it way too far. That is, I did not know when to pause, stop, and change course. I did not know when to stop loving, and start the process of unloving.


I loved a man who did not know how to love me back, especially as time progressed and we stayed together for longer. He had many issues, and I became one among them. And what started to be enjoyable companionship no longer was so. So we broke up, he wanted to stay friends, I struggled with it. Then he wanted to get back together, I struggled with that too. But finally I broke up with him, for real. It sounds tedious and it was even more tedious to live this. But I came to learn an important lesson from it: sometimes it is important to let go of love. To unlove is not to lose compassion for the other person. That is what I thought and so I stuck around for him. To unlove is just to break away from the attachment and heal. It might very well be an act of love, for yourself and for the other. Because my continued love, indulgence and care towards him just got me more misery.


All of this realisation became even more crystal clear when I met someone new. I wasn’t meaning to. I hadn’t planned. But he turned out to be so brilliant and kind that all I had tolerated and braced in my previous relationship was simply put to shame. But circumstances have meant we can’t be together. To my utter sadness. Initially, me being me, I of course cried buckets. But then, I paused. I thought, I felt. Wrote about what I felt. And now, I am letting go. I am unloving. And because I now know how to unlove, I think I can love even more bravely.


So to more love, to me, you and to everyone there is. And to our brave hearts that take a chance.


Manasa Narayanan is a regular contributor to Emerging Voices.

Read more of Manasa's work here.


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We are living through a time of great chaos, confusion, rage and fear. Whether directly involved with persons in Gaza, Israel or Palestine, we are all impacted. The world is spinning badly out of control. We are participants and witnesses, whether we like it or not.


Real people are being killed and injured. Real people are being held hostage. Here are two glimpses of those people. But there are organisations and individuals who manage to find one another and work towards a just peace.


On Oct. 14, 2023, Yousef Maher Dawas was killed, along with several family members, by a missile strike on his family’s home in the northern town of Beit Lahia. Yousef was studying to be a psychoanalyst. He was a gifted writer and a beloved colleague.








A woman places a flower as she mourns Danielle, 25, and Noam 26, an Israeli couple killed as they attended a festival.


They are buried next to each other in Kiryat Tivon, Israel.










Parents Circle - Bereaved Families Forum (more than 700 bereaved Israeli and Palestine families); see photo below;



See also:


Alliance for Middle East Peace (ALLMEP) https://www.allmep.org/get-involved/




We’re thrilled to be introducing the work of five Kenyans. Their art and ideas will continue to be featured. For now, see our introduction to Juliette, Kake, Lydiah, Anthony and Sophie. Enjoy a sample of their rich, beautiful work. These videos were filmed in Nairobi, Kenya in September 2023, at the Kenya National Theatre. Rose was visiting and met with the artists, recordeding these materials


Meet the Performers


Kake sings


Lydiah sings


Watch a brainstorming session with the group



Read more about the artists:


Juliette Achieng Omollo

Juliette Achieng Omollo is a dance and performance artist, choreographer and teacher. Juliette is passionately involved in social programming for girl-child empowerment. In her work with various youth groups, she uses art as a tool for empowerment. Juliette also works with the Judith Bwire Foundation (https://www.facebook.com › JudithBwireFoundation). The foundation works to change the lives of vulnerable young Kenyan girls and women by distributing pads and by encouraging the activity of tree planting.


Juliette says ‘we achieve our goals with interactive sessions of music, dance and presentations on relevant subject matter. Art brings out the soul’....’


Kake Wakake

Kake is a multi-instrumentalist, specialising in the traditional Luo instruments of the Nyatiti, Gara, Oduong’o and traditional drums. He uses his unique voice to link music of all kinds. Kake’s aim is to reach out to hearts and minds in harmony with the tunes he composes and performs. These melodies have been performed over the decades in Kenya and across the diaspora, resonating with the realities of what it means to be human.


Along with being an Afromusicologist, Kake is a specialist in healing traditions to support mental health.


Sophie Ogutu

For 15 years, Sophie has been coordinating SWAN day--Support Women Artists Now-- in Kenya. The festival celebrates women artists on the last Saturday of March, Women's History Month. Google SWANDAY KENYA to see YouTube videos on SWAN performances.


Sophie is a member of 5Cs, a progressive human rights theatre group that presents participatory theatre for change. Since 2000, Sophie has been coordinating key elements of their performances. 5Cs works collaboratively with human rights organisations in Kenya, and with allied progressive social movements. Safety Curtain, based in the UK, is a major support for the work of 5Cs.


Find more about Sophie at


Lydiah Dola

Lydiah is an Afro-fusion musician based in Nairobi. She is a composer, singer and guitarist. Lydiah’s music began and is grounded in activism; hence the term ‘Artivist’. Her music seeks to bring about positive change. Lydiah’s musical career has been heavily influenced by Africa and musical greats such as Miriam Makeba, Dobet Gnahore, Yvonne Chaka Chaka, Tracy Chapman, Ayub Ogada and others. Lydiah started her musical journey as part of a duet with Dan “Chizzy” Aceda which brought modern-day traditional music to the forefront of Kenyan music. Lydia’s music speaks to and celebrates African history, culture, heroes and heroines, current social issues as well as love and popular culture.


Find more about Lydiah at

Her music is available at


Anthony Gatonga

Anthony works collaboratively with artists to create innovative and marketable music, providing detailed feedback to help refine the artist’s sound. He is a fundraiser for upcoming artist and youth innovators, and produces and mixes music for independent artists in a variety of genres.


Anthony is a bridge builder, developing relationships with local artists, and helping create a network of talent for cultural music projects.Collaborating with other producers and engineers, he creates unique cultural music that inspires new generations

Currently, Anthony is working with Kake Wakake to create a cultural centre in the slum of Korogocho to generate music and teach young people and children to play Nyatiti, a cultural musical instrument.


Find more about Anthony at anthony.gatonga@gmail.com; Facebook: Anthony Gatonga


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